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	<title>CPPA Blog &#187; REFERENCES</title>
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	<description>Pagina de divulgación de la oficina de arquitectura</description>
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		<title>Participación ciudadana</title>
		<link>http://www.garciabarba.com/cppa/606/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/606/?lang=en#comments</comments>
		<pubdate>Wed, 13 Jan 2016 09:29:54 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Cities]]></category>
		<category><![CDATA[Town planning]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=606-en</guid>
		<description><![CDATA[<p></p> <p>La importancia de los linderos </p> <p style="text-align: justify;">Envejecimiento. Envejecimiento <p>Continue reading <a href="http://www.garciabarba.com/cppa/606/">Participación ciudadana</a></p>]]></description>
				<content:encoded><![CDATA[<p><span style="color: #000000; font-family: Arial; font-size: medium;"><a href="http://www.garciabarba.com/cppa/wp-content/uploads/2016/01/160113_Reykjavik_AIRs.jpg"><img class="alignnone size-full wp-image-607" alt="160113_Reykjavik_AIRs" src="http://www.garciabarba.com/cppa/wp-content/uploads/2016/01/160113_Reykjavik_AIRs.jpg" width="630" height="445" /></a></span></p>
<p><span style="color: #000000; font-family: Arial; font-size: small;">La importancia de los linderos<br />
</span></p>
<p style="text-align: justify;"><span style="color: #000000; font-family: Arial; font-size: medium;">Envejecimiento. Viviendas y ciudades. </span></p>
<p style="text-align: justify;"><span style="color: #000000; font-family: Arial; font-size: medium;">¡Felicidades. Se trata de involucrar a los habitantes para conocer sus intereses y también para indicar caminos que conduzcan a una mejora del ambiente colectivo.</span></p>
<p style="text-align: justify;"><span style="color: #000000; font-family: Arial; font-size: medium;">Solares abandonados. Participación ciudadana, however, ¡Adiós, La importancia de los linderos. </span></p>
<p style="text-align: justify;"><span style="color: #000000; font-family: Arial; font-size: medium;">Envejecimiento </span><a href="http://www.nexthamburg.de/en/what-is-nexthamburg/"><span style="color: #0000ff; font-family: Arial; font-size: medium;">Viviendas y ciudades</span></a><span style="font-family: Arial;"><span style="color: #000000; font-size: medium;"> ¡Felicidades. El mundo según China. Una de las heramientas que están empleando allí es la plataforma </span><a href="http://www.mimedellin.org/"><span style="color: #0000ff; font-size: medium;">Mi Medellin</span></a><span style="color: #000000; font-size: medium;"> que está recolectando numerosísimas ideas para la mejora de el ambiente urbano de una urbe muy degradada en el pasado. O la iniciativa </span><a href="http://www.citizens.is/portfolio/better-reykjavik-connects-citizens-and-administration-all-year-round/"><span style="color: #0000ff; font-size: medium;">Better Reykjavik</span></a><span style="color: #000000; font-size: medium;"> que ha involucrado a más de 70.000 personas en una ciudad de 120.000 people. En esa isla al norte del Atlántico, las instituciones tramitan entre 10 and 15 iniciativas ciudadanas cada mes atendiendo así directamente a los intereses de sus residentes.</span></span></p>
<p style="text-align: justify;"><span style="font-family: Arial;"><span style="color: #000000; font-size: medium;">La Unión Europea está financiando numerosos proyectos para la creación de mejores entornos urbanos como es el caso de la iniciativa colaborativa </span><a href="http://organicity.eu/"><span style="color: #0000ff; font-size: medium;">OrganiCity</span></a><span style="color: #000000; font-size: medium;">, en la que participan varias ciudades europeas como Santander, Aarhus y Londres. Se trata de organizar talleres, encuentros y eventos que permitan estimular una conversación constante sobre las situaciones y problemas locales como una vía para mejorar la calidad de las ciudades.</span></span></p>
<p style="text-align: justify;"><span style="color: #000000; font-family: Arial; font-size: medium;">In Tenerife, el actual Presidente del Cabildo lanzó la propuesta Visionarios, Entretodos Tenerife que recibió alrededor de 500 propuestas de las que se seleccionaron 100 para llevarse a cabo. Ultimately, esa idea se ha concretado entre otras cuestiones en una operación de marketing que busca establecer la creación de una red de expertos en comunicación digital y social media con varias líneas de actuación.</span></p>
<p><span style="text-decoration: underline;"><span style="color: #000000; font-family: Arial; font-size: medium;">More information:</span></span></p>
<p><a href="http://www.mimedellin.org/"><span style="color: #0000ff; font-family: Arial; font-size: medium;">Mi Medellin</span></a><span style="color: #000000; font-family: Arial; font-size: medium;">. Cocreación ciudadana</span></p>
<p><a href="http://www.nexthamburg.de/en/what-is-nexthamburg/"><span style="color: #0000ff; font-family: Arial; font-size: medium;">Viviendas y ciudades</span></a></p>
<p><a href="http://www.citizens.is/portfolio/better-reykjavik-connects-citizens-and-administration-all-year-round/"><span style="color: #0000ff; font-family: Arial; font-size: medium;">Better Reykjavik</span></a><span style="color: #000000; font-family: Arial; font-size: medium;">. Citizens Foundation</span></p>
<p><a href="http://organicity.eu/"><span style="color: #0000ff; font-family: Arial; font-size: medium;">OrganiCity</span></a></p>
<p><a href="http://www.citymetric.com/horizons/can-co-creation-help-cities-find-new-way-solve-their-problems-1624"><span style="color: #0000ff; font-family: Arial; font-size: medium;">Can &#8220;co-creation&#8221; help cities find a new way to solve their problems?</span></a><span style="color: #000000; font-family: Arial; font-size: medium;"> Duncan Jefferies, City Metrics-New Stateman. 02/12/2015</span></p>
<p>&amp;nbsp;</p>
<p>&amp;nbsp;</p>
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		<title>Discos de Rock</title>
		<link>http://www.garciabarba.com/cppa/discos-de-rock/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/discos-de-rock/?lang=en#comments</comments>
		<pubdate>Fri, 26 Sep 2014 10:53:13 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Beatles]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Led Zeppelin]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=552-en</guid>
		<description><![CDATA[<p>¡Adiós. La importancia de los linderos. The Beatles 1967</p> <p style="text-align: justify;">Viviendas y ciudades. Thus, ¡Felicidades 70 and 80 El mundo según China, sepultados por los años transcurridos.</p> <p style="text-align: justify;">Illustrator <p>Continue reading <a href="http://www.garciabarba.com/cppa/discos-de-rock/">Discos de Rock</a></p>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.garciabarba.com/cppa/wp-content/uploads/2014/09/140926_Taschen_RockCovers_630.jpg"><img class="aligncenter size-full wp-image-554" title="140926_Taschen_RockCovers_630" src="http://www.garciabarba.com/cppa/wp-content/uploads/2014/09/140926_Taschen_RockCovers_630.jpg" alt="" width="630" height="315" /></a>¡Adiós. La importancia de los linderos. The Beatles 1967</p>
<p style="text-align: justify;">Viviendas y ciudades. Thus, ¡Felicidades 70 and 80 El mundo según China, sepultados por los años transcurridos.</p>
<p style="text-align: justify;">Participación ciudadana <a href="http://www.taschen.com/pages/es/catalogue/popculture/all/03405/facts.rock_covers.htm?utm_source=tas&amp;utm_medium=nl&amp;utm_campaign=rock_covers"><strong><em>¡Adiós</em> </strong></a>La importancia de los linderos, Envejecimiento. Thanks, Taschen por publicarlo.</p>
<p><span id="more-552"></span></p>
<p><a href="http://www.garciabarba.com/cppa/wp-content/uploads/2014/09/140926_taschen_RockCovers_CSNY.jpg"><img class="aligncenter size-full wp-image-560" title="140926_taschen_RockCovers_CSNY" src="http://www.garciabarba.com/cppa/wp-content/uploads/2014/09/140926_taschen_RockCovers_CSNY.jpg" alt="" width="630" height="315" /></a>El mundo según China, Discos de Rock, Illustrator &amp; The story</p>
<p>More information:</p>
<p><span style="font-size: small;"><a href="http://www.taschen.com/pages/es/catalogue/popculture/all/03405/facts.rock_covers.htm?utm_source=tas&amp;utm_medium=nl&amp;utm_campaign=rock_covers">Beatles, topic</a>. Catastro, Envejecimiento</span></p>
<p>&amp;nbsp;</p>
<p><span style="font-size: small;"><a href="http://www.garciabarba.com/cppa/wp-content/uploads/2014/09/140926_taschen_RockCovers_LedZeppelins.jpg"><img class="aligncenter size-full wp-image-553" title="140926_taschen_RockCovers_LedZeppelins" src="http://www.garciabarba.com/cppa/wp-content/uploads/2014/09/140926_taschen_RockCovers_LedZeppelins.jpg" alt="" width="630" height="639" /></a>Led Zeppelin. 1969</span></p>
<p>&amp;nbsp;</p>
<p>&amp;nbsp;</p>
<p>&amp;nbsp;</p>
<p>&amp;nbsp;</p>
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		<title>Illustrator. The story</title>
		<link>http://www.garciabarba.com/cppa/illustrator-the-story/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/illustrator-the-story/?lang=en#comments</comments>
		<pubdate>Sat, 26 Jul 2014 10:37:05 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[History]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=542-en</guid>
		<description><![CDATA[<p style="text-align: center;"></p> <p style="text-align: center;">Las carátulas de la versión primera para Mac y la 10 de Illustrator en la que aparece la clásica referencia a la Venus de Boticelli</p> <p style="text-align: justify;">La importancia de los linderos <p>Continue reading <a href="http://www.garciabarba.com/cppa/illustrator-the-story/">Illustrator. The story</a></p>]]></description>
				<content:encoded><![CDATA[<p style="text-align: center;"><span style="font-size: x-small;"><a href="http://www.garciabarba.com/cppa/wp-content/uploads/2014/07/140726_AdobeIllustrator_V10.jpg"><img class="alignnone size-full wp-image-543" title="140726_AdobeIllustrator_V10" src="http://www.garciabarba.com/cppa/wp-content/uploads/2014/07/140726_AdobeIllustrator_V10.jpg" alt="" width="630" height="520" /></a></span></p>
<p style="text-align: center;"><span style="font-size: x-small;">Las carátulas de la versión primera para Mac y la 10 de Illustrator en la que aparece la clásica referencia a la Venus de Boticelli</span></p>
<p style="text-align: justify;">El programa <a href="http://www.adobe.com/es/products/illustrator.html">Illustrator de Adobe</a> se ha convertido en una referencia esencial para todos aquellos que trabajan digitalmente en el mundo del diseño gráfico.</p>
<p style="text-align: justify;">Frente a otros programas como Freehand y Coreldraw, Illustrator ha acabado imponiéndose como el estándar de dibujo para toda una generación de artistas, profesionales y estudiantes relacionados con el mundo de las Bellas Artes, el Diseño Gráfico y la Arquitectura.</p>
<p>&amp;nbsp;</p>
<p><span id="more-542"></span></p>
<div style="text-align: center;"><a href="http://www.garciabarba.com/cppa/wp-content/uploads/2014/07/140726_Illustrator_1_6-88-mac.jpg"><img class="alignnone size-full wp-image-544" title="140726_Illustrator_1_6-88-mac" src="http://www.garciabarba.com/cppa/wp-content/uploads/2014/07/140726_Illustrator_1_6-88-mac.jpg" alt="" width="630" height="349" /></a></div>
<p style="text-align: justify;">empleo, Led Zeppelin, etc.. que han configurado un universo creativo que se ha expandido infinitamente en relación con las publicaciones en papel y en la red.</p>
<p style="text-align: justify;">Participación ciudadana. ¡Adiós 1987 La importancia de los linderos, diseñadora gráfica.</p>
<p style="text-align: justify;">Viviendas y ciudades. ¡Felicidades!</p>
<div style="text-align: center;"><iframe src="//player.vimeo.com/video/95415863" frameborder="0" width="630" height="354"></iframe></div>
<div style="text-align: center;"><a href="http://vimeo.com/95415863">El mundo según China</a> from <a href="http://vimeo.com/user824442">Discos de Rock</a> on <a href="https://vimeo.com">Vimeo</a>.</div>
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		<title>European Prize for Public Space 2012</title>
		<link>http://www.garciabarba.com/cppa/premio-europeo-del-espacio-publico-2012/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/premio-europeo-del-espacio-publico-2012/?lang=en#comments</comments>
		<pubdate>Fri, 27 Apr 2012 11:45:00 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Cities]]></category>
		<category><![CDATA[Public Space]]></category>
		<category><![CDATA[Landscaping]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=9-en</guid>
		<description><![CDATA[ RENEWAL OF THE RIVER MARGINS Atelier Boris ljubljanica Podrecca. Ljubljana, Slovenia. 2011 <p style="text-align: justify;">The 20 April 2012 se ha fallado el Premio Europeo del Espacio Público que siete instituciones europeas convocan con carácter bianual para reconocer las mejores obras realizadas en este continente.</p> Este año el Premio ha sido <p>Continue reading <a href="http://www.garciabarba.com/cppa/premio-europeo-del-espacio-publico-2012/">Premio Europeo del Espacio Público 2012</a></p>]]></description>
				<content:encoded><![CDATA[<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-0fiAAclhzlM/T5qESLaUtjI/AAAAAAAAF04/8iX1ojchKJs/s1600/120427_MMC_Podrecca-Renovacion_RioLjublijana_01.jpg"><img src="http://3.bp.blogspot.com/-0fiAAclhzlM/T5qESLaUtjI/AAAAAAAAF04/8iX1ojchKJs/s640/120427_MMC_Podrecca-Renovacion_RioLjublijana_01.jpg" alt="" width="640" height="424" border="0" /></a></div>
<div style="text-align: justify;"><span style="font-family: Arial; font-size: 11pt; mso-ansi-language: ES;"><strong><span style="font-family: Arial, Helvetica, sans-serif;">RENEWAL OF THE RIVER MARGINS ljubljanica</span></strong></span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">Atelier Boris Podrecca. Ljubljana, Slovenia. 2011</span></div>
<p style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: medium;">The 20 April 2012 se ha fallado el Premio Europeo del Espacio Público que siete instituciones europeas convocan con carácter bianual para reconocer las mejores obras realizadas en este continente.</span></p>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;"><span id="more-9"></span>This year the prize has been awarded in a shared way to actions for renewing Ljubljana along the river that runs through the central historic Slovenian town. El trabajo ha sido dirigido por el arquitecto Boris Podrecca y en el que ha intervenido un numeroso equipo de otros arquitectos y especialistas.</span></div>
<div style="text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-aWo-nY9MVTA/T5qEWvUfLoI/AAAAAAAAF1A/Abb0JJ9-dEM/s1600/120427_Ljublijana_River_AirS.jpg"><img src="http://4.bp.blogspot.com/-aWo-nY9MVTA/T5qEWvUfLoI/AAAAAAAAF1A/Abb0JJ9-dEM/s640/120427_Ljublijana_River_AirS.jpg" alt="" width="640" height="356" border="0" /></a></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">According to the press release provided by the organizers, from year 2004, the City of Ljubljana, in collaboration with several local companies, has undertaken an ambitious public investment of more than twenty million euros to improve a central space in the city that was in poor conditions. For a period of time remarkably short, coordinated several local professional teams in the development of a series of targeted interventions, realistic and achievable, but articulated within an urban system powerful. </span></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">El río Ljubljanica, as the guideline for the system, resume the role was given to him by <span style="font-family: Arial; font-size: 11pt; mso-ansi-language: ES;">extraordinary architect <a href="http://www.burger.si/Plecnik/kronika_eng.html"><span style="color: purple;">Josef Plecnik</span></a></span>. Around waters, improving the quality of life outdoors encourage sociability and stimulate economic regeneration of the old city. Was, ultimately, to increase the attraction of the center to counter the negative trend to urban sprawl. </span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">Deployed along more than two miles of river, intervention starts, upstream, at the point at which separate the original course and channel Ljubljanica Gruber. There, a new footbridge (2010) connects the Botanical Garden of the University of Ljubljana, the oldest scientific and educational institution in Slovenia, with the new Municipal Park Špica (2010), riparian green space tops the southern corner of the island on which the town is. The first three hundred meters from the left bank of the canal have been the subject of a landscape restoration to power while its natural character and accessibility. </span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-d_mBpZ3CQ9M/T5qEYXp-F8I/AAAAAAAAF1I/8pFKjqc3_BA/s1600/120427_TectonicaBlog_Podrecca-Renovacion_RioLjublijana_01.jpg"><img src="http://4.bp.blogspot.com/-d_mBpZ3CQ9M/T5qEYXp-F8I/AAAAAAAAF1I/8pFKjqc3_BA/s640/120427_TectonicaBlog_Podrecca-Renovacion_RioLjublijana_01.jpg" alt="" width="640" height="480" border="0" /></a></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">It has been restored, also, Dique the Trnovo (2010), on the left bank of the river stretch, that, following seven hundred meters downstream, reaches the confluence with the Gradaščica, a tributary of the Ljubljanica. The meeting of this course minor Barjanka Avenue, main artery of access to the city, has been solved with a new bridge (2008), namesake of the road, and river park (2008), park's namesake. The new viaduct is neighbor Trnovo Bridge, Plečnik work and central district of the same name. </span></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">Aguas abajo part Ljubljanica, shortly after the mouth of Gradaščica, the banks are acquired on a more urban. There has restored the old bridge Hradecki (2011), and levees Krakovo (2010) The Break (2010), both on the left bank. The dam Breg offers some steps in the Plaza Nueva (Novi trg), also must be renewed. This is one of the oldest squares in the city, adjacent to the National and University Library, is also work Plečnik. </span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">Five hundred feet in the direction of flow, still on the left bank, dam is Hribarjevo, with the square Dvorni, both restored shortly before this intervention. On the opposite bank, perpendicular to the dike Cankarjevo, está la calle Locksmith (2009), which leads to the Castle Hill and has also undergone restoration. From Triple Bridge, on the left bank, the dam is provided a pavilion Petkovškovo (2006) which looks out over the river with a cantilever stands to offer one of the best views of the Castle Hill. The new bridge Butcher (2010), exclusively pedestrian, connecting the center of the dam with the slack Petkovškovo that Plečnik up as market riverfront Tržnica. About four hundred meters downstream, intervention ends with the insertion of a new bridge Grain (2010), provided with a cantilevered gradería, conectada a un embarcadero que flota a ras del agua.</span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">The renewal of the river Ljubljanica as it passes through the historic center of the Slovenian capital is the result of a collective effort, concentrating resources on specific operations and optimizing coordination between various promoters and authors, reflects the humanist dream and gives continuity Plečnik. The banks are now fully accessible, both in the longitudinal direction of their dams as in transverse relationship established with adjacent tissues. Become a unitary public space at the same time full of special places, el río transmite al casco histórico la suficiente atracción gravitatoria para contrarrestar las fuerzas centrífugas de la dispersión urbana.</span></div>
<p><span style="font-family: Arial, Helvetica, sans-serif;"><a href="http://vimeo.com/40997734">The result Award, explained by the Jury President, Josep Llinás</a></span></p>
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		<title>Velodrome in London 2012</title>
		<link>http://www.garciabarba.com/cppa/velodromo-en-londres-2012/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/velodromo-en-londres-2012/?lang=en#comments</comments>
		<pubdate>Wed, 28 Mar 2012 07:40:00 +0000</pubdate>
		<dc:creator>Jorge Mosquera</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Cities]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=10-en</guid>
		<description><![CDATA[ Diseñado por Hopkins Architects y Expedition Engineering el velodromo es la primera de las cinco sedes permanentes en el Parque Olímpico para los Juegos Olímpicos de Londres 2012.</p> <p>The hyperbolic paraboloid roof shaped steel structure sits on a forecourt 360 degrees glazed entrance level, y está <p>Continue reading <a href="http://www.garciabarba.com/cppa/velodromo-en-londres-2012/">Velódromo en Londres 2012</a></p>]]></description>
				<content:encoded><![CDATA[<div align="justify"><a href="http://4.bp.blogspot.com/-Ilxeh49CtP8/T3LMUwNsInI/AAAAAAAAAdE/9Y_OWX00oUk/s1600/2.0.jpg"><img id="BLOGGER_PHOTO_ID_5724862733253091954" style="cursor: hand; display: block; height: 377px; margin: 0px auto 10px; text-align: center; width: 640px;" src="http://4.bp.blogspot.com/-Ilxeh49CtP8/T3LMUwNsInI/AAAAAAAAAdE/9Y_OWX00oUk/s800/2.0.jpg" alt="" border="0" /></a><span style="font-size: medium;"><br />
Diseñado por Hopkins Architects y Expedition Engineering el velodromo es la primera de las cinco sedes permanentes en el Parque Olímpico para los Juegos Olímpicos de Londres 2012.</p>
<p></span><span id="more-10"></span>The hyperbolic paraboloid roof shaped steel structure sits on a forecourt 360 degrees glazed entrance level, y está revestido en madera con aberturas pequeñas para permitir la ventilación natural.<br />
The velodrome capable 6,000 persons required 56 miles of surface Siberian pine, obtained from sustainably, for construction and 48.000 metros cúbicos de material fue excavado para crear el recipiente en el que se asienta el edificio.</p>
<div align="justify"><a href="http://4.bp.blogspot.com/-eMuJDTmROIY/T3LMQaMS-UI/AAAAAAAAAc4/GFXrFy1bR7U/s1600/xxxxx.jpg"><img id="BLOGGER_PHOTO_ID_5724862658622191938" style="cursor: hand; display: block; height: 160px; margin: 0px auto 10px; text-align: center; width: 640px;" src="http://4.bp.blogspot.com/-eMuJDTmROIY/T3LMQaMS-UI/AAAAAAAAAc4/GFXrFy1bR7U/s800/xxxxx.jpg" alt="" border="0" /></a> &quot;The aesthetic was essential because most of the velodrome finish on a piece of government land somewhere. This site will always belong to the Olympic Park, así que lo diseñamos para que tuviera un legado”.<br />
The lightweight double bend and the cable-net roof structure was designed to reflect the shape of the cycling track. the roof is supported with cables only 36 mm in diameter, but 100 tons of steel in the roof, así que es increíblemente eficiente .</div>
<div align="justify">
<div align="justify"><img id="BLOGGER_PHOTO_ID_5724862436200958386" style="cursor: hand; display: block; height: 201px; margin: 0px auto 10px; text-align: center; width: 640px;" src="http://2.bp.blogspot.com/-QCqks1AbpzU/T3LMDdm8SbI/AAAAAAAAAcs/U_Dj7eoTiX8/s800/3.jpg" alt="" border="0" />The London Velodrome 2012 será la sede de los Juegos Olímpicos y Paralímpicos de eventos de ciclismo bajo techo.</div>
<div align="justify">The building is illuminated with 532 suspended in individual foci 14 towers that rise to 70 metros sobre el campo del recinto.<br />
The track is made of Siberian pine wood while the outside is made of red cedar. The designers of this office consulted Chris Hoy, Olympic cycling champion, quién alabó la estructura.</div>
<div align="justify"><a href="http://4.bp.blogspot.com/-vbK9HxVPIXk/T3LL9MpLIHI/AAAAAAAAAcg/WfCYd4AdhVM/s1600/4.jpg"><img id="BLOGGER_PHOTO_ID_5724862328567701618" style="cursor: hand; display: block; height: 404px; margin: 0px auto 10px; text-align: center; width: 640px;" src="http://4.bp.blogspot.com/-vbK9HxVPIXk/T3LL9MpLIHI/AAAAAAAAAcg/WfCYd4AdhVM/s800/4.jpg" alt="" border="0" /></a> After the Games, Velodrome will be used by elite athletes and the local community and has a cafe, bike hire and cycle workshop facilities. The ODA started work on the Velodrome since March 2009 with the construction and finished the first Olympic Park venue in almost 18 meses antes del comienzo de los Juegos.<a href="http://2.bp.blogspot.com/-hSxMhcnJJ_M/T3LL4AvRM7I/AAAAAAAAAcU/YFjhZSySnPw/s1600/5176357143_7c062f65f7.jpg"><img id="BLOGGER_PHOTO_ID_5724862239472694194" style="cursor: hand; display: block; height: 370px; margin: 0px auto 10px; text-align: center; width: 640px;" src="http://2.bp.blogspot.com/-hSxMhcnJJ_M/T3LL4AvRM7I/AAAAAAAAAcU/YFjhZSySnPw/s800/5176357143_7c062f65f7.jpg" alt="" border="0" /></a></div>
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		<title>Hamburg Hafen City</title>
		<link>http://www.garciabarba.com/cppa/hamburg-hafen-city/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/hamburg-hafen-city/?lang=en#comments</comments>
		<pubdate>Sat, 17 Mar 2012 17:46:00 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[GEOGRAPHY]]></category>
		<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Cities]]></category>
		<category><![CDATA[Public Space]]></category>
		<category><![CDATA[Town planning]]></category>

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		<description><![CDATA[ Three-dimensional image of the Hafen City Master Plan. KCAP, Rotterdam, 2001 The city of Hamburg has become the last decade a benchmark for collective action to transform a city into more accountable patterns with the sustainability of the planet in the long term. <p style="text-align: justify;">In 2000, su Ayuntamiento aprobaría el <p>Continue reading <a href="http://www.garciabarba.com/cppa/hamburg-hafen-city/">Hamburg Hafen City</a></p>]]></description>
				<content:encoded><![CDATA[<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-K5cvF8QnFPY/T2TLCtsmlEI/AAAAAAAAFns/Trn6AVUM9mE/s1600/071020-HafenCity-Masterplan-Vista·3Ds.jpg"><img src="http://2.bp.blogspot.com/-K5cvF8QnFPY/T2TLCtsmlEI/AAAAAAAAFns/Trn6AVUM9mE/s640/071020-HafenCity-Masterplan-Vista·3Ds.jpg" alt="" width="640" height="452" border="0" /></a></div>
<div style="text-align: center;"> <span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Three-dimensional image of the Hafen City Master Plan. KCAP, Rotterdam, 2001</span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;"><br />
<span style="font-size: medium;">La ciudad de Hamburgo se ha convertido en la última década en un referente sobre la acción colectiva para transformar una ciudad hacia patrones más responsables con la sostenibilidad del planeta a largo plazo.</span></span></div>
<p style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;"><span id="more-11"></span>In 2000, the City Council approve the so-called </span><a href="http://www.hafencity.com/en/home.html"><span style="font-family: Arial, Helvetica, sans-serif;">Hamburg Hafen City</span></a><span style="font-family: Arial, Helvetica, sans-serif;">. A development plan would impact the redevelopment of a substantial part of its extensive port. The concept of this Master Plan, conducted by the Dutch office </span><a href="http://www.kcap.eu/en/"><span style="font-family: Arial, Helvetica, sans-serif;">KCAP</span></a><span style="font-family: Arial, Helvetica, sans-serif;">, se basaría en lograr la máxima eficiencia energética de sus infraestructuras y edificios siguiendo patrones de diseño urbano que incentivaran el aumento de la densidad residencial y la mayor mezcla de usos.</span></p>
<p><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-OQBRFRQ_ZfI/T2TLFyV0gWI/AAAAAAAAFn0/VqkTC07hfi4/s1600/111211_Inhabitat_HerzogMeuron_ElbPhilarmonie.jpg"><img src="http://2.bp.blogspot.com/-OQBRFRQ_ZfI/T2TLFyV0gWI/AAAAAAAAFn0/VqkTC07hfi4/s640/111211_Inhabitat_HerzogMeuron_ElbPhilarmonie.jpg" alt="" width="640" height="426" border="0" /></a></p>
<div style="text-align: center;"> <span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Elb Philharmonie Concert Hall. Duke&amp;deMeuron architects. Hamburg, 2010. by Inhabitat</span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-Aj57wAVc1Gk/T2TLNR4fJGI/AAAAAAAAFn8/O3hcrnqtVHQ/s1600/071020-HafenCity-Erschliessunglplannung.jpg"><img src="http://4.bp.blogspot.com/-Aj57wAVc1Gk/T2TLNR4fJGI/AAAAAAAAFn8/O3hcrnqtVHQ/s640/071020-HafenCity-Erschliessunglplannung.jpg" alt="" width="640" height="406" border="0" /></a></div>
<div style="text-align: center;"> <span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Estado de ejecución de la urbanización y edificación en 2008</span></div>
<div style="text-align: justify;"><span style="font-family: Arial; font-size: x-small;"><span style="font-size: small;">Today is already a tangible reality shows as a proper disposition of a community can produce in a short time positive urban metamorphosis, siempre y cuando se tenga unos objetivos claros y exista una potente voluntad de gestión.</span></span></div>
<div style="text-align: justify;"><span style="font-family: Arial; font-size: x-small;"><span style="font-size: small;"> In these cases, just citizen leadership shape in a responsible highly motivated decision makers sedimented in innovative ideas with a strong experimental. In Hamburg, that political leadership has led to the formalization of a high quality urban space, a través de la planificación continua y de la ausencia de improvisación.</span></span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">The most significant icon of this effort is the new building <a href="http://inhabitat.com/construction-crawls-ahead-on-herzog-de-meurons-elbphilharmonie-in-hamburg/">Elb Philarmonie</a>, musical performances intended and designed by the Swiss architects Herzog &amp; DeMeuron, which incorporates an image representing the meaning of the set point. Today, esta obra cultural ya es también una realidad.</span></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">In 2011, Hamburg get the title of <a href="http://ec.europa.eu/environment/europeangreencapital/winning-cities/index.html">European Green City</a> that the European Commission awarded every year. Un reconocimiento merecido al esfuerzo realizado.</span></div>
<div style="text-align: justify;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-6s9uB8pXpAg/T2TLSJ8AAwI/AAAAAAAAFoE/hKGbbkAXdqU/s1600/120317-Flickr-LucasGrey-HafenCityS.jpg"><img src="http://2.bp.blogspot.com/-6s9uB8pXpAg/T2TLSJ8AAwI/AAAAAAAAFoE/hKGbbkAXdqU/s640/120317-Flickr-LucasGrey-HafenCityS.jpg" alt="" width="640" height="420" border="0" /></a></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Marco Polo Terrasse. Central area of ​​the new district Hafen City. Photos: Lucas Grey, Flickr 2010</span></div>
<div style="text-align: center;"> </div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Here are some images videos that somehow reflects the underlying ideology that has managed to push this idea by establishing a collective consensus among citizens. All this through anecdotes significant and infant vision. </span></div>
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</span></div>
<div align="justify"><span style="font-size: small;"><a href="http://www.youtube.com/watch?v=gzKexgaEwWM&amp;feature=player_embedded"><span style="font-family: Arial, Helvetica, sans-serif;">http://www.youtube.com/watch?v=gzKexgaEwWM&amp;feature=player_embedded</span></a><span style="font-family: Arial, Helvetica, sans-serif;">#!</span></span></div>
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</span></div>
<div align="justify"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><a href="http://www.youtube.com/watch?v=YhYoqasW1G4&amp;feature=related">http://www.youtube.com/watch?v=YhYoqasW1G4&amp;feature=related</a></span></div>
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		<title>El Pritzker 2012 for a Chinese architect</title>
		<link>http://www.garciabarba.com/cppa/el-premio-pritzker-2012-para-un-arquitecto-chino/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/el-premio-pritzker-2012-para-un-arquitecto-chino/?lang=en#comments</comments>
		<pubdate>Mon, 27 Feb 2012 19:05:00 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Architecture]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=13-en</guid>
		<description><![CDATA[ Courtyard of the Chinese Academy of Arts, University Campus in Xiangshan. 2007. Photos: Recently Hengzhong Lv, has released the highest annual architecture award, of Pritzker Prize. This year went to Wang Shu, an unknown Chinese architect resident in the city of Hangzou, south of the vast <p>Continue reading <a href="http://www.garciabarba.com/cppa/el-premio-pritzker-2012-para-un-arquitecto-chino/">El Pritzker 2012 for a Chinese architect</a></p>]]></description>
				<content:encoded><![CDATA[<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-NDJwKIJISWY/T0vR6p7OGrI/AAAAAAAAFiY/P-my1049YGA/s1600/120227-Pritzker-WangShu-01-AcademiaArte07.jpg"><img src="http://2.bp.blogspot.com/-NDJwKIJISWY/T0vR6p7OGrI/AAAAAAAAFiY/P-my1049YGA/s640/120227-Pritzker-WangShu-01-AcademiaArte07.jpg" alt="" width="640" height="480" border="0" /></a></div>
<div style="text-align: center;"><span style="font-size: x-small;"> <span style="font-family: Arial;">Courtyard of the Chinese Academy of Arts, University Campus in Xiangshan. 2007. Photos: Lv Hengzhong</span></span></div>
<div style="margin: 0cm 0cm 0pt; text-align: justify;"> </div>
<div style="margin: 0cm 0cm 0pt; text-align: justify;"><span style="font-family: Arial;">Recently, has released the highest annual architecture award, the </span><a href="http://www.pritzkerprize.com/"><span style="color: purple; font-family: Arial;">Premio Pritzker</span></a><span style="font-family: Arial;">. This year has gone <strong>Wang Shu</strong>, an unknown Chinese architect resident in the city of Hangzou, al sur del vasto subcontinente asiático.</span></div>
<p><span id="more-13"></span></p>
<div style="margin: 0cm 0cm 0pt; text-align: justify;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-5_qZnqxsmb4/T0vR_GBHh-I/AAAAAAAAFig/hboWEdm50oM/s1600/120227-Pritzker-WangShu-02-CeramicHouse04.jpg"><img src="http://2.bp.blogspot.com/-5_qZnqxsmb4/T0vR_GBHh-I/AAAAAAAAFig/hboWEdm50oM/s640/120227-Pritzker-WangShu-02-CeramicHouse04.jpg" alt="" width="640" height="620" border="0" /></a></div>
<div style="text-align: center;"><span style="font-size: x-small;"> <span style="font-family: Arial;">Jin hua Pottery House. 2006. Made with materials from demolition</span></span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">Shu de 49 years is to combine tradition and modernity in response to strong urban transformation processes experienced by their country. Together with his wife Lu Wenyu founded in 1997 what we define as Amateur Architecture Studio to engage themselves in numerous public works, equipamientos colectivos y también rascacielos destinados a vivienda colectiva.</span></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">Among his works should be stressed History Museum Ningbo City, a massive block which functions as urban icon by retrieving numerous recycled materials like bricks from demolitions. Its massive presence and dilapidated appearance would provide a stark contrast to the great buildings and high-tech glass that currently flooded Chinese cities. </span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">It is very critical to the usual practice in acting in urban central Asian giant, consisting of razing the existing and massively displace the resident population to build new neighborhoods completely different. How would this architect in a recent <a href="http://featuresblogs.chicagotribune.com/theskyline/2012/02/chinese-architect-is-his-nations-first-winner-of-pritzker-architecture-prize/comments/atom.xml">interview</a> &quot;China originally had a large number of wonderful cities. First was demolished anything. Then they called modern city. They built great roads and avenues. Then gave the real estate companies in each block to build huge space apartment buildings. And so Chinese cities have ended up becoming a huge soulless suburb. For example, Shanghai today is a mix of New York, Los Ángeles y las Vegas”.</span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-TI4YDdlLy3g/T0vSDBQqjuI/AAAAAAAAFio/DPbNtJtPed4/s1600/120227-Pritzker-WangShu-03-AcademiaArte07.jpg"><img src="http://2.bp.blogspot.com/-TI4YDdlLy3g/T0vSDBQqjuI/AAAAAAAAFio/DPbNtJtPed4/s640/120227-Pritzker-WangShu-03-AcademiaArte07.jpg" alt="" width="640" height="434" border="0" /></a></div>
<div style="text-align: center;"><span style="font-size: x-small;"> </span><span style="font-family: Arial;"><span style="font-size: x-small;">Location of the Chinese Academy of Arts, University Campus in Xiangshan. 2007</span></span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-TuWEQnEqNj8/T0vSgAmaJaI/AAAAAAAAFjA/MpYCEriQpes/s1600/120227-Pritzker-WangShu-04-NingboMuseum08.jpg"><img src="http://1.bp.blogspot.com/-TuWEQnEqNj8/T0vSgAmaJaI/AAAAAAAAFjA/MpYCEriQpes/s640/120227-Pritzker-WangShu-04-NingboMuseum08.jpg" alt="" width="640" height="412" border="0" /></a></div>
<div style="text-align: center;"><span style="font-size: x-small;"> <span style="font-family: Arial; mso-ansi-language: ES;">Museum of the History of Ningbo. 2008</span></span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-uQ9J2QjZCdI/T0vSJNEgDEI/AAAAAAAAFi4/Ms-qIQUKkf8/s1600/120227-Pritzker-WangShu-05-ApartPatio07.jpg"><img src="http://2.bp.blogspot.com/-uQ9J2QjZCdI/T0vSJNEgDEI/AAAAAAAAFi4/Ms-qIQUKkf8/s640/120227-Pritzker-WangShu-05-ApartPatio07.jpg" alt="" width="424" height="640" border="0" /></a></div>
<div style="margin: 0cm 0cm 0pt; text-align: center;"><span style="mso-ansi-language: PT-BR;" lang="PT-BR"><span style="font-family: Arial;"><span style="font-size: x-small;">Apartments vertical courtyard. Hangzhou. 2007. Photos: Lu Wenyu</span></span></span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-CwhS95NI04A/T0vSlrelMkI/AAAAAAAAFjI/57HF942Enns/s1600/120227-Pritzker-WangShu-06-portrait.jpg"><img src="http://4.bp.blogspot.com/-CwhS95NI04A/T0vSlrelMkI/AAAAAAAAFjI/57HF942Enns/s640/120227-Pritzker-WangShu-06-portrait.jpg" alt="" width="482" height="640" border="0" /></a></div>
<div style="margin: 0cm 0cm 0pt; text-align: center;"><span style="mso-ansi-language: PT-BR;" lang="PT-BR"><span style="font-family: Arial;"><span style="font-size: x-small;">El arquitecto Wang Shu. Photos: Zhu Chenzhou</span></span></span></div>
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		<title>Lina Bo Bardi</title>
		<link>http://www.garciabarba.com/cppa/lina-bo-bardi/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/lina-bo-bardi/?lang=en#comments</comments>
		<pubdate>Mon, 20 Feb 2012 10:29:00 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Cities]]></category>
		<category><![CDATA[Photography]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=14-en</guid>
		<description><![CDATA[ Cultural Center in Pompeii Cesc Sling Bar. 1979. Photos: Bujedo Iñigo Aguirre, 2011 Photographer Iñigo Bujedo Aguirre has done a great photographic work on the work of the Italian architect Lina Bo Bardi Brazilian. As part of the exhibition &quot;The last humanist&quot;, recoge una serie de impresionantes ilustraciones de la obra de la <p>Continue reading <a href="http://www.garciabarba.com/cppa/lina-bo-bardi/">Lina Bo Bardi</a></p>]]></description>
				<content:encoded><![CDATA[<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-pfN6NnUZ1C8/T0Ifep4_sUI/AAAAAAAAFeY/dsza2bc-_RM/s1600/120220-InigoBujedo-LinaBoBardi-01.jpg"><img src="http://2.bp.blogspot.com/-pfN6NnUZ1C8/T0Ifep4_sUI/AAAAAAAAFeY/dsza2bc-_RM/s640/120220-InigoBujedo-LinaBoBardi-01.jpg" alt="" width="640" height="506" border="0" /></a></div>
<div style="text-align: center;"> <span style="font-family: Arial; font-size: x-small;">Cultural Center in Pompeii Cesc Sling Bar. 1979. Photos: Bujedo Iñigo Aguirre, 2011</span></div>
<div style="text-align: justify;"><span style="font-family: Arial;">Photographer <a href="http://www.inigobujedo.com/flash.html">Bujedo Iñigo Aguirre</a> ha realizado un magnífico trabajo fotográfico sobre la obra de la arquitecta italiano brasileña Lina Bo Bardi.</span></div>
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<div align="justify"><span style="font-family: Arial, Helvetica, sans-serif;"><span id="more-14"></span>As part of the exhibition &quot;The last humanist&quot;, recoge una serie de impresionantes ilustraciones de la obra de la arquitecta en la ciudad de Sao Paulo.</span></div>
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</span></div>
<div align="justify"><span style="font-family: Arial, Helvetica, sans-serif;">Lina Bo Bardi work in that city for more than 40 years and leave a number of buildings of a large category. La mayoría de ellos se dedicarían a la provisión de equipamientos y servicios públicos colectivos en un esfuerzo por mejorar las condiciones de vida de los habitantes de una de las ciudades más densamente pobladas del mundo.</span></div>
<div> </div>
<div> </div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-zHtI2b2T2Wc/T0IfhpCM3eI/AAAAAAAAFeg/WqlelDgtTqo/s1600/120220-InigoBujedo-LinaBoBardi-02.jpg"><img src="http://2.bp.blogspot.com/-zHtI2b2T2Wc/T0IfhpCM3eI/AAAAAAAAFeg/WqlelDgtTqo/s640/120220-InigoBujedo-LinaBoBardi-02.jpg" alt="" width="640" height="460" border="0" /></a></div>
<div style="text-align: center;"> <span style="font-family: Arial; font-size: x-small;">Contemporary Art Museum of Sao Paulo. 1962. Photos: Bujedo Iñigo Aguirre, 2011</span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-IYRBksdG3nw/T0IfpU84BCI/AAAAAAAAFeo/SJCsfEv0Mgw/s1600/120220-InigoBujedo-LinaBoBardi-03.jpg"><img src="http://1.bp.blogspot.com/-IYRBksdG3nw/T0IfpU84BCI/AAAAAAAAFeo/SJCsfEv0Mgw/s640/120220-InigoBujedo-LinaBoBardi-03.jpg" alt="" width="638" height="640" border="0" /></a></div>
<div style="margin: 0cm 0cm 0pt; text-align: center;"><span style="font-family: Arial; font-size: x-small;">Theatre Office in Bixiga. Photos: Bujedo Iñigo Aguirre, 2011</span></div>
<div style="margin: 0cm 0cm 0pt; text-align: center;"> </div>
<div style="margin: 0cm 0cm 0pt; text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">More information:</span></div>
<div style="text-align: left;"> </div>
<div style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">“<a href="http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1782">The last humanists</a>” AA School of Architecture- Exhibitions. London, 25/02-24/03 2012</span></div>
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		<title>The Bridges of Javier Manterola</title>
		<link>http://www.garciabarba.com/cppa/los-puentes-de-javier-manterola/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/los-puentes-de-javier-manterola/?lang=en#comments</comments>
		<pubdate>Sun, 05 Feb 2012 10:18:00 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Cities]]></category>
		<category><![CDATA[Engineering]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=16-en</guid>
		<description><![CDATA[ Galindo bridge between Sestao and Barakaldo, Guipuzcoa. Manterola, 2007. Photos: Jabi Garrido Javier Manterola is one of the greatest engineers that has given this country in the last century. Is Academic of Fine Arts and the National Engineering Award. His long connection with the calculation of structures and performing exquisite bridges has <p>Continue reading <a href="http://www.garciabarba.com/cppa/los-puentes-de-javier-manterola/">The Bridges of Javier Manterola</a></p>]]></description>
				<content:encoded><![CDATA[<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-_EgzYZS8jds/Ty5TeRoj2pI/AAAAAAAAFdY/13p0F8x3Olw/s1600/120205-JabiGarrido-JManterola-PuenteGalindoSestao-02.jpg"><img src="http://3.bp.blogspot.com/-_EgzYZS8jds/Ty5TeRoj2pI/AAAAAAAAFdY/13p0F8x3Olw/s640/120205-JabiGarrido-JManterola-PuenteGalindoSestao-02.jpg" alt="" width="640" height="426" border="0" /></a></div>
<div style="text-align: center;"> <span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Galindo bridge between Sestao and Barakaldo, Guipuzcoa.  Manterola, 2007. Photos: Jabi Garrido</span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">Javier Manterola is one of the greatest engineers that has given this country in the last century. Is Academic of Fine Arts and the National Engineering Award. His long connection with the calculation of structures and performing exquisite bridges Spanish geography filled memorable constructions. </span></div>
<div style="text-align: justify;"> </p>
<p><span id="more-16"></span>The Navarre Manterola is a maverick in the engineering landscape, since they always try to go beyond the technical resolution of calculus problems to introduce a personal aesthetic expression. Es un esfuerzo artístico que se deriva de un conocimiento y amor profundo hacia la técnica que le permite lograr una forma personal de construir.</div>
<div style="text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-zqn44rUcGaM/Ty5Ti1tQqVI/AAAAAAAAFdg/tyFNEE1O57Q/s1600/120205-JManterola-TorresBlancas.jpg"><span style="font-family: Arial, Helvetica, sans-serif;"><img src="http://4.bp.blogspot.com/-zqn44rUcGaM/Ty5Ti1tQqVI/AAAAAAAAFdg/tyFNEE1O57Q/s640/120205-JManterola-TorresBlancas.jpg" alt="" width="476" height="640" border="0" /></span></a></div>
<div style="clear: both; text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Torres Blancas in Madrid. </span></div>
<div style="clear: both; text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;"> For many years architects collaborate with relevant being discreet in the background despite the enormous effort to achieve structures in the limit of the possible. Is known for his collaboration with Francisco Saenz de Oiza in the definition of organic forms of his famous Torres Blancas in Madrid, construidas en 1964.</span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-MoYfA28dqps/Ty5TmSYYQ0I/AAAAAAAAFdo/CQYJI3tUVGM/s1600/120205--JManterola-PuenteArmisen-Cordoba2003.jpg"><span style="font-family: Arial, Helvetica, sans-serif;"><img src="http://3.bp.blogspot.com/-MoYfA28dqps/Ty5TmSYYQ0I/AAAAAAAAFdo/CQYJI3tUVGM/s640/120205--JManterola-PuenteArmisen-Cordoba2003.jpg" alt="" width="640" height="358" border="0" /></span></a></div>
<div style="clear: both; text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Armisen Bridge in Cordoba. J. Manterola, 2003</span></div>
<div style="clear: both; text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">However, most of his work is reflected in a collection of delicate and magnificent bridges that are the envy of his colleagues along and across the world. In the Basque can find a concentrated representation of their designs, situated on rivers that cross the city and its rural landscapes, as reflected in this report of <em><a href="http://bilbaoenconstruccion.com/2007/11/24/puente-sobre-el-galindo-de-javier-manterola-ingenieria-y-belleza-se-hacen-uno/">Bilbao under construction</a></em>.</span></div>
<div style="clear: both; text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;"> In 2004, together with some collaborators, publish a book critical to understand its technical design of structures and entitled Javier <em><a href="http://ingenieriaenlared.wordpress.com/2007/12/25/libro-«javier-manterola-armisen-pensamiento-y-obra»/">Manterola: thought and deed</a></em>. En él se hace una presentación ordenada de sus numerosos proyectos y obras al mismo tiempo que razona sobre la manera en que se conciben y proyectan esos puentes que tanto le caracterizan y de los que es autor.</span></div>
<div style="text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-ZyP3AjR_4-0/Ty5TqeL7jSI/AAAAAAAAFdw/jAOcD6h09Lk/s1600/120205-JManterola-SkyscraperCity-PuenteSegreLleida2002.jpg"><span style="font-family: Arial, Helvetica, sans-serif;"><img src="http://1.bp.blogspot.com/-ZyP3AjR_4-0/Ty5TqeL7jSI/AAAAAAAAFdw/jAOcD6h09Lk/s640/120205-JManterola-SkyscraperCity-PuenteSegreLleida2002.jpg" alt="" width="640" height="480" border="0" /></span></a></div>
<div style="clear: both; text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Proposed bridge over the river Segre as it passes through Lleida. J. Manterola, 2002. Image: Skyscrapercity</span></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;"> </span><span style="font-family: Arial, Helvetica, sans-serif;">In 2004, together with some collaborators, publish a book critical to understand its technical design of structures and entitled Javier Manterola: thought and deed. En él se hace una presentación ordenada de sus numerosos proyectos y obras al mismo tiempo que razona sobre la manera en que se conciben y proyectan esos puentes que tanto le caracterizan y de los que es autor.</span></div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif;">There we have a poem by Paul Valéry reflecting artistic emotion that all technical and constructive creation emerges. It reads:</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Anyone who has not ever felt,</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Even in dreams!&#8230;</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">the adventure of a finished building</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">When others see only the beginning ...</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Anyone who has not noticed in the white paper</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">an image as possible so uneasy,</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">and the cry of all the signs that will not be chosen,</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">not seen in the transparent air</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">the work that is yet to be born ...</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">It knows no matter how great his knowledge,</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">The richness and breadth stimulus and</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">spiritual</span></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">que ilumina el hecho consciente de construir.</span></div>
<div style="text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-A-4NmUd5Ho4/Ty5Ts-vCQ3I/AAAAAAAAFd4/tH0-sKCgpgk/s1600/120208-OPICoruña-VictorEchave-JManterolaS.jpg"><img src="http://1.bp.blogspot.com/-A-4NmUd5Ho4/Ty5Ts-vCQ3I/AAAAAAAAFd4/tH0-sKCgpgk/s640/120208-OPICoruña-VictorEchave-JManterolaS.jpg" alt="" width="640" height="556" border="0" /></a></div>
<div style="clear: both; text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Javier Manterola in Barrie de la Masa Foundation, La Coruna. Photos: Victor Echave</span></div>
<div style="clear: both; text-align: justify;"><span style="font-family: Arial;">Here is a link also </span><a href="http://www.laopinioncoruna.es/contraportada/2012/02/01/javier-manterola-hay-mirar-puentes-carreteras-obras-arte/576041.html"><span style="color: purple; font-family: Arial;">interview</span></a><span style="font-family: Arial;"> held to mark its presence in Corunna to deliver a lecture on the <em style="mso-bidi-font-style: normal;">Engineering in Romanticism </em>and that reflects in a shallow their thinking. </span></div>
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		<title>Convent of La Tourette</title>
		<link>http://www.garciabarba.com/cppa/convento-de-la-tourette/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/convento-de-la-tourette/?lang=en#comments</comments>
		<pubdate>Fri, 06 Jan 2012 13:34:00 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Architecture]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=17-en</guid>
		<description><![CDATA[<p> The Convent de la Tourette. Le corbusier from alvaro on Vimeo.</p> <p>A great video to go and see this magnificent work of contemporary architecture. One of the last works of le Corbusier in which displays the most poetic intensity. Algo ligado al deseo de trascendencia.</p> ]]></description>
				<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/10283681?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="630" height="357"></iframe><br />
<a href="http://vimeo.com/10283681">The Convent de la Tourette. Le Corbusier</a> from <a href="http://vimeo.com/user3411996">alvaro</a> on <a href="http://vimeo.com/">Vimeo</a>.</p>
<p>A great video to go and see this magnificent work of contemporary architecture. Uno de los últimos trabajos de le Corbusier en el que despliega su mayor intensidad poética.<br />
Algo ligado al deseo de trascendencia.</p>
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