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	<title>CPPA Blog &#187; Photography</title>
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	<description>Pagina de divulgación de la oficina de arquitectura</description>
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		<title>Lina Bo Bardi</title>
		<link>http://www.garciabarba.com/cppa/lina-bo-bardi/?lang=en</link>
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		<pubdate>Mon, 20 Feb 2012 10:29:00 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Cities]]></category>
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		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=14-en</guid>
		<description><![CDATA[ Cultural Center in Pompeii Cesc Sling Bar. 1979. Photos: Bujedo Iñigo Aguirre, 2011 Photographer Iñigo Bujedo Aguirre has done a great photographic work on the work of the Italian architect Lina Bo Bardi Brazilian. As part of the exhibition &quot;The last humanist&quot;, recoge una serie de impresionantes ilustraciones de la obra de la <p>Continue reading <a href="http://www.garciabarba.com/cppa/lina-bo-bardi/">Lina Bo Bardi</a></p>]]></description>
				<content:encoded><![CDATA[<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-pfN6NnUZ1C8/T0Ifep4_sUI/AAAAAAAAFeY/dsza2bc-_RM/s1600/120220-InigoBujedo-LinaBoBardi-01.jpg"><img src="http://2.bp.blogspot.com/-pfN6NnUZ1C8/T0Ifep4_sUI/AAAAAAAAFeY/dsza2bc-_RM/s640/120220-InigoBujedo-LinaBoBardi-01.jpg" alt="" width="640" height="506" border="0" /></a></div>
<div style="text-align: center;"> <span style="font-family: Arial; font-size: x-small;">Cultural Center in Pompeii Cesc Sling Bar. 1979. Photos: Bujedo Iñigo Aguirre, 2011</span></div>
<div style="text-align: justify;"><span style="font-family: Arial;">Photographer <a href="http://www.inigobujedo.com/flash.html">Bujedo Iñigo Aguirre</a> ha realizado un magnífico trabajo fotográfico sobre la obra de la arquitecta italiano brasileña Lina Bo Bardi.</span></div>
<div align="justify"> </div>
<div align="justify"><span style="font-family: Arial, Helvetica, sans-serif;"><span id="more-14"></span>As part of the exhibition &quot;The last humanist&quot;, recoge una serie de impresionantes ilustraciones de la obra de la arquitecta en la ciudad de Sao Paulo.</span></div>
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</span></div>
<div align="justify"><span style="font-family: Arial, Helvetica, sans-serif;">Lina Bo Bardi work in that city for more than 40 years and leave a number of buildings of a large category. La mayoría de ellos se dedicarían a la provisión de equipamientos y servicios públicos colectivos en un esfuerzo por mejorar las condiciones de vida de los habitantes de una de las ciudades más densamente pobladas del mundo.</span></div>
<div> </div>
<div> </div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-zHtI2b2T2Wc/T0IfhpCM3eI/AAAAAAAAFeg/WqlelDgtTqo/s1600/120220-InigoBujedo-LinaBoBardi-02.jpg"><img src="http://2.bp.blogspot.com/-zHtI2b2T2Wc/T0IfhpCM3eI/AAAAAAAAFeg/WqlelDgtTqo/s640/120220-InigoBujedo-LinaBoBardi-02.jpg" alt="" width="640" height="460" border="0" /></a></div>
<div style="text-align: center;"> <span style="font-family: Arial; font-size: x-small;">Contemporary Art Museum of Sao Paulo. 1962. Photos: Bujedo Iñigo Aguirre, 2011</span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-IYRBksdG3nw/T0IfpU84BCI/AAAAAAAAFeo/SJCsfEv0Mgw/s1600/120220-InigoBujedo-LinaBoBardi-03.jpg"><img src="http://1.bp.blogspot.com/-IYRBksdG3nw/T0IfpU84BCI/AAAAAAAAFeo/SJCsfEv0Mgw/s640/120220-InigoBujedo-LinaBoBardi-03.jpg" alt="" width="638" height="640" border="0" /></a></div>
<div style="margin: 0cm 0cm 0pt; text-align: center;"><span style="font-family: Arial; font-size: x-small;">Theatre Office in Bixiga. Photos: Bujedo Iñigo Aguirre, 2011</span></div>
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<div style="margin: 0cm 0cm 0pt; text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">More information:</span></div>
<div style="text-align: left;"> </div>
<div style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;">“<a href="http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1782">The last humanists</a>” AA School of Architecture- Exhibitions. London, 25/02-24/03 2012</span></div>
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		<title>The Canary Sky</title>
		<link>http://www.garciabarba.com/cppa/el-cielo-de-canarias/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/el-cielo-de-canarias/?lang=en#comments</comments>
		<pubdate>Sat, 17 Dec 2011 22:08:00 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[CANARY]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Territory]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=21-en</guid>
		<description><![CDATA[<p> El Cielo de Canarias / Canary sky &#8211; Tenerife from Daniel López on Vimeo.</p> <p>Wonderful video showing the phenomenon of sea of ​​clouds, experiencing some islands of our archipelago. Un magnífico trabajo de Daniel López.</p> ]]></description>
				<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/23205323?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="400" height="225"></iframe><br />
<a href="http://vimeo.com/23205323">El Cielo de Canarias / Canary sky &#8211; Tenerife</a> from <a href="http://vimeo.com/elcielodecanarias">Daniel Lopez</a> on <a href="http://vimeo.com/">Vimeo</a>.</p>
<p>Wonderful video showing the phenomenon of sea of ​​clouds, que experimentan algunas islas de nuestro archipiélago.<br />
Un magnífico trabajo de Daniel López.</p>
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		<title>Wings of Desire</title>
		<link>http://www.garciabarba.com/cppa/el-cielo-sobre-berlin/?lang=en</link>
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		<pubdate>Fri, 08 Jul 2011 14:12:00 +0000</pubdate>
		<dc:creator>Ralf Veyras</dc:creator>
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		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=50-en</guid>
		<description><![CDATA[<p></p> To end the week I'd recommend the film 80 which is often linked to cycles of Cinema and Architecture. &#8220;The Wings of Desire&#8221; Wim Wenders is an interesting feature showing fantastic scenes of the city of Berlin through the vision of two angels (Bruno Ganz and Otto <p>Continue reading <a href="http://www.garciabarba.com/cppa/el-cielo-sobre-berlin/">Wings of Desire</a></p>]]></description>
				<content:encoded><![CDATA[<p><iframe src="http://www.youtube.com/embed/VI0gZXubyyY" frameborder="0" width="620" height="386"></iframe></p>
<div style="text-align: justify;">To end the week I'd recommend the film 80 which is often linked to cycles of Cinema and Architecture. &#8220;The Wings of Desire&#8221; Wim Wenders is an interesting feature showing fantastic scenes of the city of Berlin through the vision of two angels (Bruno Ganz y Otto Sander) observan que el mundo. Pero sin duda es un película mítica para la arquitectura gracias a la magnífica escena desarrollada en la Biblioteca Nacional de Berlín diseñada por el arquitecto alemán Hans Scharoun.</div>
<div style="text-align: justify;"> </div>
<div style="text-align: justify;">Later the American film industry realizo, de manera desafortunada, el remake de esta película de cult con el título &#8220;City of Angels&#8221;.</div>
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		<title>Transforming the coast</title>
		<link>http://www.garciabarba.com/cppa/la-transformacion-de-la-costa/?lang=en</link>
		<comments>http://www.garciabarba.com/cppa/la-transformacion-de-la-costa/?lang=en#comments</comments>
		<pubdate>Sun, 01 May 2011 09:39:00 +0000</pubdate>
		<dc:creator>Federico Garcia Barba</dc:creator>
				<category><![CDATA[CANARY]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Territory]]></category>

		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=78-en</guid>
		<description><![CDATA[ The south coast of Tenerife in the proximities of the Dune in the years 70 El Medano was a delightful place on the coast, to early 60. Un antiguo pueblo de pescadores con muelle y una amplia playa de arena que conformaba un paisaje singular de la isla de Tenerife.</p> <p>In <p>Continue reading <a href="http://www.garciabarba.com/cppa/la-transformacion-de-la-costa/">Transforming the coast</a></p>]]></description>
				<content:encoded><![CDATA[<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-Ep44d7WQokA/Tb0mxYBWidI/AAAAAAAAEu4/um9v0Z6Bpdw/s1600/110424-TomasS-MedanoAerea-01S.jpg"><img src="http://3.bp.blogspot.com/-Ep44d7WQokA/Tb0mxYBWidI/AAAAAAAAEu4/um9v0Z6Bpdw/s640/110424-TomasS-MedanoAerea-01S.jpg" alt="" width="640" height="270" border="0" /></a></div>
<div style="text-align: center;"> <span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">La costa del sur de Tenerife en las próximidades del Médano en los años 70</span></div>
<div style="text-align: justify;"><span style="font-family: Arial; font-size: x-small;"><span style="font-size: small;">El Medano was a delightful place on the coast, to early 60. Un antiguo pueblo de pescadores con muelle y una amplia playa de arena que conformaba un paisaje singular de la isla de Tenerife.</span></span></p>
<p><a name="more"></a><span style="font-family: Arial, Helvetica, sans-serif;">At the time, Medano granadillero neighborhood was a small plot grid with large gaps around. The streets and central areas lacked paving, were dirt and sand; were organized by one of the existing beaches, acting as a point of arrival of the fishing boats. La ermita original aparece aislada junto al camino de acceso por el que se llegaba desde el interior de la isla.</span></div>
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<div align="justify"><span style="font-size: small;"><span style="font-family: Arial, Helvetica, sans-serif;">Today we show the images of that place then taken for a curious episode that starred the intrepid pilot of airplanes, D. Tomas Sanchez Spider, father of a friend who liked pleasure soar, as his true profession was medicine. During a competition would take some aerial photos of that part of the coast which are absolutely amazing island. The transformation has been so dramatic that the enclave is hardly unrecognizable, hoy en día.</span></span></div>
<div style="text-align: center;"><a style="clear: right; cssfloat: right; float: right; margin-bottom: 1em; margin-left: 1em;" href="http://3.bp.blogspot.com/-A9hamqZEoLY/Tb0m2L5JlQI/AAAAAAAAEu8/t6aatPu9hdA/s1600/110424-TomasS-MedanoAerea-02S.jpg"><img src="http://3.bp.blogspot.com/-A9hamqZEoLY/Tb0m2L5JlQI/AAAAAAAAEu8/t6aatPu9hdA/s640/110424-TomasS-MedanoAerea-02S.jpg" alt="" width="640" height="432" border="0" /></a><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">The enclave of fishermen along the beach and the small stone pier basaltic</span></div>
<div style="text-align: justify;"> </div>
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<div align="justify"><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: small;">At the time, had not yet been built yet controversial Hotel El Medano. However, en una foto más reciente ya aparece junto al segundo hotel característico de ese núcleo vacacional en Los Valos.</span> </span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-49D8ow-m2kM/Tb0m6gDoUdI/AAAAAAAAEvA/1qD3j4mrgNk/s1600/110424-TomasS-MedanoAerea-03S.jpg"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><img src="http://4.bp.blogspot.com/-49D8ow-m2kM/Tb0m6gDoUdI/AAAAAAAAEvA/1qD3j4mrgNk/s400/110424-TomasS-MedanoAerea-03S.jpg" alt="" width="400" height="250" border="0" /></span></a></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"> The central space of the nucleus along the beach which was used as landing</span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://2.bp.blogspot.com/-fq5efIdXQzI/Tb0m97_DW8I/AAAAAAAAEvE/7925Et_JhGQ/s1600/110424-TomasS-MedanoAerea-04S.jpg"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><img src="http://2.bp.blogspot.com/-fq5efIdXQzI/Tb0m97_DW8I/AAAAAAAAEvE/7925Et_JhGQ/s400/110424-TomasS-MedanoAerea-04S.jpg" alt="" width="400" height="253" border="0" /></span></a></div>
<div style="text-align: justify;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"> <span style="font-size: small;">Comparing with some existing images, the densification process and increased volumes has been devastating. Only some interventions, as the seaside promenade, have been able to appease the wrath minimally property action </span></span></div>
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<div align="justify"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">In forty years, islands have experienced massive degradation process in which the coast has been occupied without any care. Thereby, radically privatized is the main value that gave rise to the tourism industry, the use of the coast to enjoy the sun and beach. With so many negative consequences to the future, on which action should be systematic and coordinated in the future if we want to maintain a competitive manner that productive resource. La recualificación del espacio turístico debería enfocarse en la mejora de la accesibilidad al mar y la atenuación de las visuales más disruptivas que ha producido esa masificación descontrolada.</span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-PcB1j69e_zY/Tb0n4xRvOHI/AAAAAAAAEvM/9b8i12YRKVM/s1600/110424-AereasCanarias-MedanoAerea.jpg"><img src="http://3.bp.blogspot.com/-PcB1j69e_zY/Tb0n4xRvOHI/AAAAAAAAEvM/9b8i12YRKVM/s640/110424-AereasCanarias-MedanoAerea.jpg" alt="" width="640" height="558" border="0" /></a></div>
<div style="clear: both; text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">The coastal district today Medano. <a href="http://www.fotografiasaereasdecanarias.com/">Canary Aerial Photography</a></span></div>
<div style="margin: 0cm 0cm 0pt; text-align: justify;"><span style="font-family: Arial;">The Coastal Act of 1988 established a controversial mechanism for the protection of that strip of land between the land and sea. His flaw is that regulatory action was a precautionary basis only. Construction reservation between 20 and 100 meters, established from the seashore, was a good idea, which has then been subverted massively, thereby generating enormous criticism collective. A Coast transformative process, with the support of many government and public institutions and which has tried to continue the division between private operators speculative real estate and the ultimate benefit of the big chains. Just remember some examples such as the </span><a href="http://www.publico.es/56426/el-algarrobico-una-espera-demoledora"><span style="color: purple; font-family: Arial;">Hotel carob</span></a><span style="font-family: Arial;"> in Carboneras or </span><a href="http://www.elpais.com/articulo/espana/Marbella/emerge/Lanzarote/elpepiesp/20080317elpepinac_1/Tes"><span style="color: purple; font-family: Arial;">coast of Playa Blanca</span></a><span style="font-family: Arial;"> en Lanzarote para sentir vergüenza ajena.</span></div>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-exHWXsjXBTo/Tb0nCk7_sfI/AAAAAAAAEvI/N9NnI9Xc_8o/s1600/110424-TomasS-PilotoSAra%25C3%25B1a.jpg"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><img src="http://4.bp.blogspot.com/-exHWXsjXBTo/Tb0nCk7_sfI/AAAAAAAAEvI/N9NnI9Xc_8o/s640/110424-TomasS-PilotoSAra%25C3%25B1a.jpg" alt="" width="640" height="408" border="0" /></span></a></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">The author of the images, Dr. Sanchez Spider, pilotando su aparato.</span></div>
<div style="text-align: justify;"><span style="font-family: Arial; font-size: x-small;"><span style="font-size: small;">The contradiction is that the space landscape, which generated enormous wealth, should have been properly preserved with positive actions and consideration as collective public good. There should have been publicly Acting oriented institutional buying land and space with visual restoration interventions artificialization accept the process followed prior. </span></span></div>
<div align="justify"> </div>
<div align="justify"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">The collective commitment should be expressed demanding the return to society of the common good that is the coastal landscape, against any particular interest. </span></div>
<p><span style="font-size: small;"><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">(Our thanks to Tomás Sánchez Peraza by the images supplied)</span></span></p>
<div style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-UoiqnfIRY9Y/Tb0u_gR4clI/AAAAAAAAEvY/GoJCF9Y81xo/s1600/101103-N3Arq-ElMedano-1996-S.jpg"><img src="http://4.bp.blogspot.com/-UoiqnfIRY9Y/Tb0u_gR4clI/AAAAAAAAEvY/GoJCF9Y81xo/s400/101103-N3Arq-ElMedano-1996-S.jpg" alt="" width="400" height="298" border="0" /></a></div>
<div style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Reform Medano coastal walk. N3 Architects, 1996</span></div>
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		<title>Lunchtime Atop a Skyscraper</title>
		<link>http://www.garciabarba.com/cppa/lunchtime-atop-a-skyscraper/?lang=en</link>
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		<pubdate>Tue, 05 May 2009 20:28:00 +0000</pubdate>
		<dc:creator>Jorge Mosquera</dc:creator>
				<category><![CDATA[REFERENCES]]></category>
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		<guid ispermalink="false">http://www.garciabarba.com/cppa/?p=111-en</guid>
		<description><![CDATA[ “Almuerzo en un rascacielos” es una de las fotografías más famosas de Charles C. Ebbets, todo un clásico de los pósters que te encuentras habitualmente en tiendas de decoración, librerías etc. La imagen fue tomada en el año 1932 durante la construcción del complejo de edificios comerciales Rockefeller Center, en la planta 69 del <p>Continue reading <a href="http://www.garciabarba.com/cppa/lunchtime-atop-a-skyscraper/">Lunchtime Atop a Skyscraper</a></p>]]></description>
				<content:encoded><![CDATA[<div align="justify"><a href="http://1.bp.blogspot.com/_oiOfhYFTJcc/SgCiLYlVbaI/AAAAAAAAAGg/zVw1p8CQ_qQ/s1600-h/Imagen0.jpg"><span style="font-family: arial;"><img id="BLOGGER_PHOTO_ID_5332440275267972514" style="cursor: hand; display: block; height: 354px; margin: 0px auto 10px; text-align: center; width: 460px;" src="http://1.bp.blogspot.com/_oiOfhYFTJcc/SgCiLYlVbaI/AAAAAAAAAGg/zVw1p8CQ_qQ/s800/Imagen0.jpg" alt="" border="0" /></span></a><span style="font-family: arial;"> “Almuerzo en un rascacielos” es una de las fotografías más famosas de </span><span style="font-family: arial;">Charles C. Ebbets</span><span style="font-family: arial;">, todo un clásico de los pósters que te encuentras habitualmente en tiendas de decoración, librerías etc. La imagen fue tomada en el año 1932 durante la construcción del complejo de edificios comerciales </span><span style="font-family: arial;">Rockefeller Center</span><span style="font-family: arial;">, en la planta 69 del Edificio de General Electric y la publicó el New York Herald Tribune en el suplemento dominical . </span></div>
<div align="justify"><span style="font-family: arial;"><br />
En ella se ven cómo 11 obreros (al parecer, indios Mohawk e Irlandeses) están descansando sentados sobre una viga de acero a una altura de 244 mts, con la ciudad y el vacío bajo sus pies. Las medidas de seguridad brillan por su ausencia, al no tener ni redes, ni arneses, ni siquiera cascos, where workers take the danger as normal, risking their lives every moment, sin la menor protección y por lo que parece sin la menor preocupación por su parte.</span></div>
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<div align="center"><a href="http://1.bp.blogspot.com/_oiOfhYFTJcc/SgCiFcOxJLI/AAAAAAAAAGY/UxTnT1kG9TE/s1600-h/Imagen1.jpg"><span style="font-family: arial;"><img id="BLOGGER_PHOTO_ID_5332440173167846578" style="cursor: hand; display: block; height: 354px; margin: 0px auto 10px; text-align: center; width: 460px;" src="http://1.bp.blogspot.com/_oiOfhYFTJcc/SgCiFcOxJLI/AAAAAAAAAGY/UxTnT1kG9TE/s800/Imagen1.jpg" alt="" border="0" /></span></a><span style="font-family: arial; font-size: 78%;">Resting on a Girder, esta vez tumbados echándose una siesta.</span></div>
<div align="justify"><span style="font-family: arial;">The photos caused a major impact, served to denounce the precarious working conditions of workers in this period of depression in the United States. Most photos are not prepared, are real and correspond to everyday scenes of the workers who participated in the construction of skyscrapers. These images not surprised by what happens in them, sino te impresiona más lo que puede ocurrir.<br />
</span><span style="font-family: arial;"><img id="BLOGGER_PHOTO_ID_5332440109201933858" style="cursor: hand; display: block; height: 354px; margin: 0px auto 10px; text-align: center; width: 460px;" src="http://3.bp.blogspot.com/_oiOfhYFTJcc/SgCiBt8GxiI/AAAAAAAAAGQ/2UylVeMg1V8/s400/Imagen2.jpg" alt="" border="0" /> </span><span style="font-family: arial;"><br />
Charles Ebbets (photographer) born in Alabama (1905-1978) and it was a passion for photography, at eight years old he bought his first camera at a local store, debiting the account that her mother had open, what was a good punishment, but ultimately did not return it and got away with it. In years 30 had already published his photos in the major newspapers in the U.S. and was well known for his graphic work, por lo que fue contratado como director de fotografía del Rockefeller Center para documentar la construcción de dicho complejo.</span></div>
<p>These scenes of yesterday, unfortunately continue to be found without the need to go far, is easy to find someone standing on a deck, or scaffold, sin el menor miedo ni la menor protección que pueda evitar un accidente.</p>
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<div align="justify"><a href="http://3.bp.blogspot.com/_oiOfhYFTJcc/SgChzn9KsII/AAAAAAAAAGA/sqrSg1Qf-jU/s1600-h/Documento3.jpg"><span style="font-family: arial;"><img id="BLOGGER_PHOTO_ID_5332439867077603458" style="cursor: hand; display: block; height: 354px; margin: 0px auto 10px; text-align: center; width: 460px;" src="http://3.bp.blogspot.com/_oiOfhYFTJcc/SgChzn9KsII/AAAAAAAAAGA/sqrSg1Qf-jU/s400/Documento3.jpg" alt="" border="0" /></span></a></div>
<div align="justify"><span style="font-family: arial;">Last week was the International Day for Safety and Health ( 28 April ) and served cold to see the previous year's statistics, where despite the downturn in economic activity and the lowest number of employees, fatal accidents increased over the previous year. The main cause of death in construction accident along 2008 were falls from height (42%), followed by impact or crushing deaths (22%). Between 36% remaining listed, mostly, deaths from abuse and those produced as a result of electric shock. </span></div>
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<div align="justify"><a href="http://3.bp.blogspot.com/_oiOfhYFTJcc/SgChtMzkEmI/AAAAAAAAAF4/Vpub29UYtYY/s1600-h/Documento4.jpg"><span style="font-family: arial;"><img id="BLOGGER_PHOTO_ID_5332439756710351458" style="cursor: hand; display: block; height: 354px; margin: 0px auto 10px; text-align: center; width: 460px;" src="http://3.bp.blogspot.com/_oiOfhYFTJcc/SgChtMzkEmI/AAAAAAAAAF4/Vpub29UYtYY/s400/Documento4.jpg" alt="" border="0" /></span></a></div>
<div align="justify"><span style="font-family: arial;">The entry into force in February 1996 Act Occupational Health and Safety was a step forward in terms of integration and Update on Safety Promotion and Health of Workers Preventive incorporating a treatment philosophy of Occupational Hazards and becoming a Statutory Instrument to improve . </span></div>
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<div align="justify"><a href="http://2.bp.blogspot.com/_oiOfhYFTJcc/SgChmsHBr1I/AAAAAAAAAFw/PYF6-zkCnJE/s1600-h/Imagen5.jpg"><span style="font-family: arial;"><img id="BLOGGER_PHOTO_ID_5332439644854398802" style="cursor: hand; display: block; height: 354px; margin: 0px auto 10px; text-align: center; width: 460px;" src="http://2.bp.blogspot.com/_oiOfhYFTJcc/SgChmsHBr1I/AAAAAAAAAFw/PYF6-zkCnJE/s400/Imagen5.jpg" alt="" border="0" /></span></a></p>
<div align="justify"><span style="font-family: arial;">The hopes generated by this legislation not only have been fulfilled, sino que nuestro país sigue manteniendo la tendencia alcista en las cifras de siniestralidad laboral a pesar de la mejora con respecto a décadas pasadas.</span></div>
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